I have a feeling that this a one of those albums that will only get better and better with time and with each spin.
Here's what STEREOGUM's Tom Breihan had to say about the album:
Listen to the god damn drums. There’s a lot to like about Here And Nowhere Else, the new Cloud Nothings album: The snot-punk hooks, the scraped-out guitar textures, the overwhelming refusal to acknowledge any musical influences from anytime after, say, 1997. But those drums are the best thing about Here And Nowhere Else. Cloud Nothings drummer Jason Gerycz hits his drums like they just reminded him of everything that’s happened to every Cleveland professional sports team in the last 50 years, and he does it with serious speed and timing, at an absolutely relentless pace. The songs are good on their own, but Gerycz’s playing effectively straps a rocket to them. And as strong as the songs might be, I can’t think of a great rock album since Songs For The Deaf that would suffer this much if you took away the drummer and replaced him with some technically proficient schlub from the back of a Guitar Center. Gerycz’s playing has personality. He never sounds like he’s just waiting around for the chance to go apeshit while playing fills, but when he gets that chance, you need to get the fuck out of his way. This is exciting drumming, drumming with a sense of joy to it. And given that frontman Dylan Baldi never shows anything approaching joy, it’s a good thing he has Gerycz around to force his songs to sprint. Gerycz is the one element that takes what could be a self-pitying wallow and transforms it into a kickass rock album. And a kickass rock album is exactly what it is. Read the rest at STEREOGUM.
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